We’ll be raising the Side volume which is a common technique. Theres 1 more thing to do before we start MS eq’ing. By doing so, the left side becomes Mid while the right side become Side. We will select MS from the 3 buttons above. We will be using the Tone module to do some Mid/Side equalising. BL (blunt) gives you a wider filter, while SH (sharp) is narrow, and MED (medium) is somewhere between the two. It’s split into 4 bands from highs frequencies, high-mid frequencies, mid-low frequencies, to low frequencies.įrom the left the parameters are frequency, gain, and shape, with Low-shelf, High-shelf, and 3 different bell types of filters available.
TONEĪs you can see, this area works as an EQ. You could find the kind of sound that you like from the Tape EQ first and make detailed edits with Tone as well.īecause we will take an in-depth look at Tone, we will leave these parameters flat. NAB/IEC at 15ips gives great highs, while 7.5ips focuses more on the midrange frequencies. This was originally used to make up for differences in sound quality via different types of tape.ġ5ips towards IEC/NAB gives you more low end, while 7.5ips really scoops the sound. Here you can adjust the input volume, as well as the balance and phase, but it’s most unique parameter is the Tape Equalizer. This time we have just a Limiter on our master track and will place TG Mastering Chain on it to begin mastering. You can still easily switch between the various modules while zoomed in. Though you can make general edits without having to zoom in, one of the biggest advantages to this plugin is M/S processing, which requires you to zoom in and change. You can zoom into the display of each plugin from the zoom button above. The order of Tone, Limiter, and Filter can be swapped around as well. TG Mastering chain contains a INPUT, TONE, LIMITER, FILTER, and an OUTPUT module. However, it is incredibly well organised as a plugin and allows you to rather quickly master your tracks. The EMI TG12410 is still being used to this day, and was used on Pink Floyd’s Dark Side of the Moon, Nirvana’s In Utero, Radiohead’s OK Computer, and other monumental works as a mastering tool.Īt a first glance, it’s many knobs and layout make it seem like a complicated piece of vintage hardware. This plugin is modelled after the EMI TG12410 mastering console hardware found in Abbey Road Studios Room 5 is a faithful emulation of the console. USB displays are not supported as the primary display.Lets first take a look at the Abbey Road TG Mastering Chain.
#Best waves limiter full
This goal has come full circle with the Waves dbx 160 compressor / limiter plugin, which enables you to achieve stunning realism in the studio or to add nuance to an actual live performance. “To get closer to the realism of live performance” has been a goal of dbx since the company’s inception in the 1970s. The result is a must-have compressor / limiter for use in the studio, live, or both.
In addition to its meticulous modeling of the vintage compressor, the Waves dbx 160 plugin incorporates unique and exclusive features not found in the original hardware, such as Waves’ MS Matrix, mix and noise controls, and a stereo component.
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The fast-acting dbx 160 compressor was used in almost every major recording in the late ‘70s and throughout the ‘80s, and later models in the 160 series also became industry standards.Ĭreated in collaboration with dbx, the Waves dbx 160 compressor / limiter plugin is an authentic-sounding software version of this storied piece of hardware. Waves dbx 160 Compressor Limiter Plugin Overview:Ĭonsidered one of the best drum compressors ever, the original dbx 160 stands tall among its peers, boasting a very clean sound with minimum THD.
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